| |1 |
Essay
|
Non Fiction |
Introduction: Messages from an Alternate Reality |
Brian Attebery
|
| |10 |
Review
|
Non Fiction |
America's Dark Theologian: The Religious Imagination of Stephen King |
James Arthur Anderson
&
Douglas E. Cowan
|
| |11 |
Review
|
Non Fiction |
El monstruo como máquina de guerra |
David Contreras
&
Mabel Moraña
|
| |12 |
Review
|
Non Fiction |
Celestial Hellscapes: Cosmology as the Key to the Strugatskiis' Science Fictions |
Rachel Cordasco
&
Kevin Reese
|
| |13 |
Review
|
Non Fiction |
Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H. P. Lovecraft |
Timothy H. Evans
&
Jason Ray Carney
|
| |14 |
Review
|
Non Fiction |
The Artistry of Neil Gaiman: Finding Light in the Shadows |
Anelise Farris
&
Joseph Michael Sommers
&
Kyle Eveleth
|
| |15 |
Review
|
Non Fiction |
The Fly |
Dominick Grace
&
Emma Westwood
|
| |16 |
Essay
|
Non Fiction |
Review of Matthias Fuchs's Phantasmal Spaces: Archetypical Venues in Computer Games |
Misha Grifka-Wander
|
| |17 |
Review
|
Non Fiction |
Science Fiction Circuits of the South and East |
James R. Krause
&
Scott Raines
&
Anindita Banerjee
&
Sonja Fritzsche
|
| |18 |
Review
|
Non Fiction |
La ilusión persistente: Diálogos entre la ciencia ficción y el campo cultural |
Kiersty Lemon-Rogers
&
Silvia G. Kurlat Ares
|
| |19 |
Review
|
Non Fiction |
Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture |
Ceallaigh S. MacCath-Moran
&
Claudia Schwabe
|
| |2 |
Essay
|
Non Fiction |
G. Willow Wilson: An Introduction |
David Higgins
|
| |20 |
Review
|
Non Fiction |
Holy Monsters, Sacred Grotesques: Monstrosity and Religion in Europe and the United States |
John W. Morehead
&
Michael E. Heyes
|
| |21 |
Review
|
Non Fiction |
C'était demain: anticiper la science-fiction en France et au Québec (1880-1950) |
Amy J. Ransom
&
Patrick Bergeron
&
Patrick Guay
&
Natacha Vas-Deyres
|
| |22 |
Review
|
Non Fiction |
George R. R. Martin and the Fantasy Form |
Don Riggs
&
Joseph Rex Young
|
| |23 |
Review
|
Non Fiction |
Eleanor Cameron: Dimensions of Amazement |
Jaclyn L. Sutherland
&
Paul V. Allen
|
| |24 |
Review
|
Non Fiction |
Harry Potter and Convergence Culture: Essays on Fandom and the Expanding Potterverse |
Megan Suttie
&
Amanda Firestone
&
Leisa A. Clark
|
| |25 |
Review
|
Non Fiction |
Studying Horror Cinema |
Kai-Uwe Werbeck
&
Bryan Turnock
|
| |26 |
Review
|
Non Fiction |
Masks in Horror Cinema: Eyes without Faces |
Rebecca Wynne-Walsh
&
Alexandra Heller-Nicholas
|
| |27 |
Review
|
Non Fiction |
The Broken Spell: Indian Storytelling and the Romance Genre in Persian and Urdu |
Mariam Zia
&
Pasha M. Khan
|
| |3 |
Essay
|
Non Fiction |
Who Are You Calling Political? (Or, Which Labels Are Applied to Which Stories, and Why) |
G. Willow Wilson
|
| |4 |
Interview
|
Non Fiction |
An Interview with G. Willow Wilson |
Noran Amin
&
G. Willow Wilson
|
| |5 |
Essay
|
Non Fiction |
Mark Bould: An Introduction |
Paweł Frelik
|
| |6 |
Essay
|
Non Fiction |
Our Frightful Hobgoblin, or, Notes Towards Full-on Fully Automated Luxury Green Diffabled Trans* Feminist Queer Interspecies Space Communism of Color |
Mark Bould
|
| |7 |
Essay
|
Non Fiction |
Watching the (Re)calling of a Princess on Stage: On I Call myself Princess and Bearing Witness to Indigenous Histories through the Fantastic in Theatre |
Sheetala Bhat
|
| |8 |
Essay
|
Non Fiction |
Reasonable Doubt: Edward Bulwer-Lytton's A Strange Story and the Limits of Skepticism |
Eliza Dickinson Urban
|
| |9 |
Essay
|
Non Fiction |
A Brief History of EPVIDS: Subjectivity and Evil Possessed Vampire Demon Swords |
Dennis Wilson Wise
|